Carlo Stanga joyfully explores the themes of the LAND studio
Which accompanies the urban regeneration process in many cities, until the landscapes we live in become "productive", referring to the psychophysical well-being of users, climate resilience, biodiversity. LAND’s Wunderkammer thus honours its name – the chamber of wonders –, becoming a place where viewers can be inspired and amazed. As architect Andreas Kipar explains, "landscape knows no boundaries, and it is with this awareness that we have cultivated our story since the beginning in As landscape architects, we increasingly play a decisive role in constructing landscape stories capable of regenerating urban communities and entire territories. Our task is to cultivate relationships between the parts.During the talk between Carlo Stanga and Andreas Kipar on the occasion of the vernissage of the installation for the Milan Design Week, moderated by the director of Artribune, Massimiliano Tonelli, the Phone Number List discussion in fact focused on these aspects and on the recent paradigm shift in the perception of the landscape that surrounds us and which we are a part of. A new ethic requires a new aesthetic and if this is interpreted by an artist like Carlo Stanga, it becomes much easier to get key messages across, thanks precisely to their joyful interpretation that gives us hope for the future, not so much of our planet but of us as a human species.The benches in the bar were made by the craftspeople of sustainable local furniture maker Wodom Studio.The architects’ material mood board offers an attractive creative response to the need to limit environmental and economic impact without compromising on visual impact.
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When we design, we imagine scenes, visualise how people would inhabit the space, and today we can say that those scenes and that project, just as we imagined it, have come true... The space functions exactly as we had projected,“ explain the designers.Since , the museum has obtained % of its electricity from hydroelectric energy; and one euro from the cost of every admission ticket goes to the nature conservation project MoorFutures in Schleswig-Holstein. These measures make Green Modernism. The New View of Plants a truly green cultural event. This second point responds to the requirements of the circular economy, which demands sharing, loaning, reuse, repair, reconditioning and recycling of existing materials and products for as long as possible. All this is perfectly feasible, and with plenty of style, as demonstrated by bloomscape Architecture and Francesca Perani Enterprise’s project for ON-OFF in Milan.
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